Before there was the Congress of South African Trade Unions, today’s COSATU, there was FOSATU. FOSATU was set up in 1979. There had been strikes and struggles in the 1970s, starting with a big strike wave in Namibia from 1971-1972, which was then a South African colony, then a big strike wave starting in Durban 1973, which spread around the country. Although we remember 1976 for the bravery of the youth and students, we must remember that the 1976 uprising also involved general strikes by the black working class, mass stay-aways.
And as the working class started to flex its muscles, and to organise new, independent unions, the need for unity was felt. In 1979, at Hammanskraal, FOSATU was set up. The flag of FOSATU was red, black and gold, with a hammer, a spanner and a spade. FOSATU grew quickly, despite repression by the apartheid state. Leaders and activists in FOSATU were banned, jailed; some, like Andries Raditsela, were murdered by police. There was continual intimidation, and employers would fire workers for going on strike or “agitating” at work. Unemployment is not just about money: unemployment is a weapon of the bosses, and this weapon was used many times against FOSATU.
One may ask what a presentation on anarchism has to do with hip-hop. I contend that within these two movements exist shared ideas and sentiments, building blocks of a deeply critical and self-conscious political culture. Both share a deep anti-establishment ethos; a mistrust of established institutions of social and political control. Both come from and are based amongst the oppressed.[1] At its core, hip-hop shares with anarchism its desire for political and social change via people’s movements and expression. 
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